
I wonder, reading this, what sorts of deviations were made from original vampiric myths (a quick Google search yields many results about origins and myths, so I really couldn't say without more research), but I would love to know. My proposing this stems from the earlier Frankenstein reading, and having seen before hand how that had grown and mutated. At what point did vampires go from being ugly and sort of bat-like, unable to enter doors without permission, to being sexually confused (clearly, in this book) beautiful objects of desire, to glittery unicorn wannabes with psychic/unique powers? (Don't get me started.) I'm thankful she didn't decide to include were-wolves in this. But I digress. Rice resigns the writing with a cliffhanger, which entices me to go on to her next piece of work, but I shan't. Not until I've got a bit more free time, I don't think. All the same, I do see I have been missing out on a fantastic body of work that has earned its' keep in the world of fictional vampire writings (as opposed, as I'm sure you're very familiar with, to non-fictional vampire writings). Haha.
The vampire pictured is neither of the protagonists. I felt like drawing someone cooler than Brad Pitt or Tom Cruise. Someone like Count Orlok. So yeah.
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